The Elkcloner’s self-titled album is an eclectic collection of nine songs that each seem to be radically different. Their numerous elements and diverse arrangements provide for an entertaining listen. Although the tracks are distinct, they each maintain an eerie, electronic vibe, which allows for consistency and smooth transitions.
For instance, “Green Dune” and “Crossfire” are two entirely separate compositions that appear to have nothing in common. “Green Dune” is characterized by buzzing sounds and distant vocals that say little more than the song’s name. Its repetitive, bizarre tones help create its overall mysterious nature. In contrast, “Crossfire” is fast-paced and starts out with a loud, ear-piercing shriek. The echoing lyrics make the listener feel as if they are surrounded by voices. Both of these tracks contain contradictory elements; however, they are similar due to their disconcerting feel.
This same idea applies to the rest of The Elkcloner. Each song introduces yet another musical aspect. “Twisted” features both a male and female singer and a couple choruses of pure rap. In “Sunbird,” the melody is animated and energetic, complete with distorted vocals and several strange, tribal noises. “Have You Seen My Baby?” experiments even further with a suspenseful drum riff and incessant clapping beat. Halfway through, the song shifts and there is a sound that resembles a tape fast forwarding.
Perhaps the most original track is the last. “Lonely View” starts off with the slow, soft notes of a piano and a string of sad yet hopeful lyrics. With a simple yet calming tune, it sounds as if it were taken straight out of a musical. Overall, The Elkcloner has created an experimental album that is tied together by a common, unsettling quality.
In A Word: Eclectic
